Obviously, my novel is about the battle between good and evil.
Novelist have been struggling with this topic for centuries because it is one of the most basic fundamental issues effecting all of humanity. We read about the conflict because we have all been there. It’s our story, our experience. And we keep reading because we’re never sure which side is going to win.
The Assassins begins with a completely evil design. Vladimir Putin intends to have the top American leaders killed and sends out three henchmen to do them in. None of these men is particularly bright, but they all know about murder that they are quit willing to commit. Will evil triumph under these circumstances? The reader keeps turning the pages to find out.
Friedrich Nietzsche lived in the last half of the nineteenth century and was a major philosopher whose impact has not been diminished by time. He appears to have had a deep distrust of words in conveying and describing evil. Our time has seen so much mayhem and murder, I often wonder if we haven’t been moved existentially closer to Nietzsche’s point of view. Not that we wrestle intellectually with the problem of evil, but that we have become so adjusted to assassination, revolutions, war, and the possibility of nuclear explosions that we no longer are able to find the words that convey the draconian nature of the ongoing situation with which we live.
Perhaps, a novel remains one of the best tools to walk us inside the terrors of human manipulation and deceit. The Assassins is of course fiction, but look at the parallels with the murder of Alexander Litvinenko who was poisoned in London. Litvenenko, a FSB agent (formerly called the KGB) got crossways with Vladimir Putin and fled the country to avoid being killed. In London, he remained a harsh critic of Putin’s role in encouraging corruption. A close friend of journalist Anna Politkovskaya, he knew she was investigating his charges against Putin. The female journalist was then shot to death in Moscow. Sound a little familiar?
Can words adequately convey the force of evil in such a situation? Friedrich Nietzsche said no. The will to power remains too strong. His solution was to create an entirely new language. I’m afraid Nietzsche got too close to the edge, but he does press us to recognize how powerful evil is in the world around us.
Personally, I find novels by Daniel Silva do an adequate job of forcing anyone to recognize the reality of evil. Hopefully, The Assassins does the same thing. While such a story is fiction, by its very nature it forces us to look into the non-fiction world with greater perspective and a more adequate grasp of the power of evil.